After several sessions, the scene got further updates and deeper detalization.
For better scene mood pronounce, I started to build the light/shadow composition. The main goal is to replicate famous Ing Yang symbol, where the right side will be dark, wet and "thick" zone, left side will be sunny, dry and light, meanwhile the scene union object (almost at the center) will be the car itself.
Reworked the road material and started experimenting with advance wet/drying out asphault.
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